life has this strange way of doing things. it wraps around us like silky snakes, distracting us from what we think we know, luring us into its lair, confusing us, confounding trust, and then one day it just leaves. it just leaves, and we’re standing there dazed and nauseated, wondering what in the world just happened? i am suddenly back here.
this other time last year, i was listening to the sound of silence as big, plump, potent drops of tears splashed like painful rocks down my cheeks. if i am remembering correctly, silence sounds like the tinkling crashing of needles falling together in a messy and dissonant heap. how spoilt and loved i was, amidst all that wreckage and the jagged edges. had i known, would i have? how many people did it take to warn me, and yet i did not stop? but this is not about that. this will not, ever, again be about that. the motto of the year: less spite.
this is about love; about warm, airy, thudding, murmuring love that both makes my heart race and holds it quietly. it is utterly surreal and nauseating how everything is inflated and upside down. i’m getting a huge trip just trying to jigsaw everything into perspective. today we went out and he said something mean and i thought, wow, this is just like how it used to be, only not as bad. we sat quietly in the car and i was on the brink of tears, yet again, and this is just what we used to do, only not as painfully as once upon that time. then there was the slightly uncomfortable lunch where my mind was charging like lightning and i had so many things i wanted to say but not enough space in the front of my lips to say it all and i was running and tumbling and he was obviously confused and it all became one convoluted and frustrating mess, just like how we are now.

i woke up this morning and my throat hurt from the dust. like singapore. i woke up this morning and my heart hurt. like hong kong. i woke up this morning and was in that black tshirt i don’t remember ever having seen. amazingly enough, this is just like bangkok. at camp davis, with the sticky tamarind sauce in the noodles. it’s almost like coming full circle. insurance, he once said. was i the insurance? was i the other bowl of noodles, hastily bought just in case? analogies musn’t be taken too far, he also said. how i rolled my eyes. how i thought to myself, who does this guy think he is. so he read a little neil strauss and thinks he’s all that? but the world, the neighborhood, time, cameras, old cigarettes, black wispy curtains, everything that was inhaled so vehemently into this vortex has now been spat back out as heavily disfigured versions of their old selves. i’m staring at the empty and frightening contents on the floor. there is now a cat. there is now no letters, or birthday cake in the fridge, or old books with old lovers’ writing looping over the first page. but as i was putting on my shoes this morning, i caught sight of the big bottles of water. and my heart leapt, oh my god how my heart leapt. i remember now– i’d said, you are so pseudo environmental, look at all these plastic bottles you have amassed. and now it seems that i have been yanked by the stomach into this old time and old place. i’m not complaining. i just want to look, and absorb, and feel, and be so happy that there are some things that just do not change.
sky bar tonight was strange. it was awfully strange. i’ve heard this so many times- just do it, just do it. seize the day. but i’m lazy, and tired, and guilty, and scarred, and scared. so many things to do in 10 days’ time, how do i do them all perfectly? i am in good standing for everything, but i’m either in love with something and damn good with something else, or find one challenging, and find the other the safer choice. everything is an iteration. it is all an undeniable and inescapable pattern. what’s the answer? follow your heart. do what you love. do what makes you happy. kindness is the most important thing.

my mother gigglingly stole the painting for the living room. she recklessly ran down the stairs with it, almost tripping over the size of the canvas, complaining that she should have the painting because it looks more like her than it does me. so it now sits tentatively on the console table across the doorway, amidst some mesh lanterns (stolen from my room as well, while i was away), a model of a rickety bicycle, and a melange of coasters procured from her various journeys all over the klang valley. the painting is titled Waiting.


